"Una película no puede ser ideológica" ideología y representación cinematográfica de la estructura socioeconómica

Abstract

The ideology concept faces, in the academic context, a strong questioning and tense debates that lead many to preside over its use and others to defend its irreplaceable utility for the social sciences. In this work, a tour of the concept is explored, tracing its tensions, parallels and differences in various authors and works, all in order to generate a deductive procedure that allows to connect a specific concept of ideology (that of the contemporary author's work JB Thompson) with a theoretical corpus of film theory (the semiopragmatics of Casetti and Di Chio) to explore its usefulness when studying the concrete phenomenon of cinema. It is a theoretical investigation that takes a step from the epistemological level of the construction of a concept to the methodological level of its use in specific cases, always with a view to broader phenomena in the social sense.