Muerte súbita: ¿Dónde está el límite emocional y físico en la preparación del actor en el cine?

Abstract

The following research is about acting techniques that are based on methods used by Konstantin Stanislavski, Sanford Meisner, Lee Strasberg, David Mamet and Fátima Toledo. The theory presented here has been applied on the audiovisual project Muerte Súbita, filmed on may 2014, under the direction of Diego Ulloa. Through this document, the writer seeks to contrast acting techniques considered invasive to the actors, in order to set boundaries for a healthy preparation (physical and emotional) of the actors.