dc.contributorGonzalo Jiménez, Gonzalo
dc.creatorGiese, Gabriela
dc.date.accessioned2017-06-30T18:06:53Z
dc.date.accessioned2022-10-20T22:06:51Z
dc.date.available2017-06-30T18:06:53Z
dc.date.available2022-10-20T22:06:51Z
dc.date.created2017-06-30T18:06:53Z
dc.date.issued2017-06
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/27725
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4608094
dc.description.abstractThe following research is about acting techniques that are based on methods used by Konstantin Stanislavski, Sanford Meisner, Lee Strasberg, David Mamet and Fátima Toledo. The theory presented here has been applied on the audiovisual project Muerte Súbita, filmed on may 2014, under the direction of Diego Ulloa. Through this document, the writer seeks to contrast acting techniques considered invasive to the actors, in order to set boundaries for a healthy preparation (physical and emotional) of the actors.
dc.languagespa
dc.relationTCA;74
dc.subjectCine
dc.subjectActuacion
dc.subjectStanislavski Konstantin
dc.subjectMeisner Sanford
dc.subjectStrasberg Lee
dc.subjectMamet David
dc.subjectToledo Fatima
dc.titleMuerte súbita: ¿Dónde está el límite emocional y físico en la preparación del actor en el cine?
dc.typebachelorThesis


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