dc.creatorVergara Leyton, Enrique
dc.creatorDe Simone Polania, Rosa Liliana
dc.creatorArmstrong Bofill, Paula
dc.creatorQuiroz Villalobos, Diego Alonso
dc.date.accessioned2024-05-07T16:57:59Z
dc.date.accessioned2024-07-18T01:01:35Z
dc.date.available2024-05-07T16:57:59Z
dc.date.available2024-07-18T01:01:35Z
dc.date.created2024-05-07T16:57:59Z
dc.date.issued2020
dc.identifier10.32995/rev180.Num-46.(2020).art-669
dc.identifier07182309
dc.identifierSCOPUS_ID:85105322454
dc.identifierhttp://www.revista180.udp.cl/index.php/revista180/article/view/669
dc.identifierhttps://repositorio.uc.cl/handle/11534/85484
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9511155
dc.description.abstractThis article studies the evolution of women representation throughout advertising in women’s magazines, taking as a reference the case of the Chilean magazine Eva that circulated in the country between 1943 and 1974, reaching a significative leadership among editorial publications. With the analysis we seek to understand two central dimensions of the graphic heritage and the relationship it has with the imaginary of feminine consumption: the formal and the symbolic. In conceptual terms, two areas can be described to understand how advertising develops in these publications. In the first place, the editorial space given to woman, as consequence to cultural changes experienced since the end of the 19th century, and in second place, the crescent influence of advertising agencies on promotion and circulation of American a esthetic-cultural values, and the existence of a consumption society at international level. From a quantitative and qualitative analysis of the corpus of graphic selected pieces, the main advertised products were identified, which are circumscribed into two thematic dimensions: woman’s physical appearance and her role as a housewife. However, these two dimensions acquire distinctive characteristics over time which translates in how woman’s representation evolves in three different levels: the woman who consumes to be seen and admired for her beauty; the woman that consumes with an objective; and finally, the woman that consumes for her own self.
dc.languagees
dc.publisherUniversidad Diego Portales
dc.rightsacceso abierto
dc.subjectAdvertising
dc.subjectConsumption
dc.subjectGraphics
dc.subjectWoman’s representation
dc.titleAdvertising and female representation in women’s magazines: An approximation to the case of eva magazine
dc.typeartículo


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