dc.creatorCarneiro Araujo Sarissa
dc.date.accessioned2024-05-15T08:00:11Z
dc.date.accessioned2024-07-17T22:03:26Z
dc.date.available2024-05-15T08:00:11Z
dc.date.available2024-07-17T22:03:26Z
dc.date.created2024-05-15T08:00:11Z
dc.date.issued2022
dc.identifier10.4324/9780367520069-6
dc.identifier978-0-367-52006-9
dc.identifier2053-30692
dc.identifier978-1-032-19975-7
dc.identifier978-0-367-52004-5
dc.identifier20148410 02113473
dc.identifierSCOPUS_ID:85149695784
dc.identifierhttps://doi.org/10.4324/9780367520069-6
dc.identifierhttps://repositorio.uc.cl/handle/11534/85616
dc.identifierWOS:001011432700005
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9510155
dc.description.abstract© 2022 WSEAS TRANSACTIONS on INFORMATION SCIENCE and APPLICATIONS. All rights reserved.From an iconic-textual perspective, I propose a reading of the «episodio de don Melón de la Huerta y de doña Endrina» from Libro de buen amor, in light of the concept of trompe l'oeil. In doing so, two fundamental aspects of medieval literature and the work of the Arcipreste de Hita will be addressed: the imagocentric configuration and the use of ambiguity as the result of a constructive will. I demonstrate how the deception associated with the love experience explains the identity mutation of the poetic self, which, in a game of confused tension between materiality and referentiality, will assume a new profile, of plastic nature, to the point of standing as the protagonist of a peculiar still life.
dc.languageen
dc.publisherROUTLEDGE
dc.relationROUTLEDGE HANDBOOK OF VIOLENCE IN LATIN AMERICAN LITERATURE
dc.rightsregistro bibliográfico
dc.subjectDeception
dc.subjectdon Melón de la Huerta and doña Endrina
dc.subjectLibro de buen amor
dc.subjectLiterature and Painting
dc.subjectMedieval Love
dc.subjectstill life
dc.subjectTrompe-l'oeil
dc.titleWOMEN AND WAR IN THE COLONIAL SPANISH AMERICAN EPIC Gendered Boundaries and Erotic Conquest
dc.typecapítulo de libro


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