dc.creatorSchrader, Jeffrey
dc.date2019-11-22T18:58:38Z
dc.date2021-03-19T03:37:22Z
dc.date2019-11-22T18:58:38Z
dc.date2021-03-19T03:37:22Z
dc.date2014
dc.date.accessioned2024-06-21T22:35:42Z
dc.date.available2024-06-21T22:35:42Z
dc.identifier978-607-02-5972-2
dc.identifierhttp://www.librosoa.unam.mx/handle/123456789/2525
dc.identifierhttp://www.ebooks.esteticas.unam.mx/items/show/22
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9497545
dc.descriptionFrom the nineteenth century onward a considerable number of hostile actions against the portraits of royalty and religious art have been recorded. This iconoclasm which, before the nineteenth century, was blamed on foreigners, began to become more common among Spaniards early in the century, increasing with the Carlist wars. Due to their increased frequency, such violent actions against these types of representation, both monarchical and religious, came to acquire a very characteristic social function, becoming rites dramatizing popular support for progress. The moments of greatest violence against these works took place during the Spanish civil war, including burning and sacking of churches and even murders of priests. With the rise of Francoism, the dictator cast the blame on foreign governments, which seems to suggest a generalized tendency by the Spanish authorities to attribute such acts alien forces.
dc.formatapplication/pdf
dc.languageen
dc.publisherUniversidad Nacional Autónoma de México
dc.publisherInstituto de Investigaciones Estéticas
dc.subjectIconoclasm
dc.subjectReligious art
dc.subjectMonarchical portraits
dc.subjectSpain
dc.titleThe Royal Image and Modern Spanish Iconoclasm
dc.typePDF


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