| dc.creator | Pellizzi, Francesco | |
| dc.date | 2019-11-22T18:52:56Z | |
| dc.date | 2021-03-19T03:43:26Z | |
| dc.date | 2019-11-22T18:52:56Z | |
| dc.date | 2021-03-19T03:43:26Z | |
| dc.date | 2014 | |
| dc.date.accessioned | 2024-06-21T20:04:41Z | |
| dc.date.available | 2024-06-21T20:04:41Z | |
| dc.identifier | 978-607-02-5972-2 | |
| dc.identifier | http://www.librosoa.unam.mx/handle/123456789/2524 | |
| dc.identifier | http://www.ebooks.esteticas.unam.mx/items/show/23 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/9496056 | |
| dc.description | With the avant-gardes the idea of the monument acquires a new meaning. Until the twentieth century, monuments were related to memory, alluding in some way to the sacredness of the represented past and associated with funerary architecture; from the appearance of the first avant-gardes, however, their function ceased to so clear, becoming lost in a world of mechanical images. The De Chirico brothers—Giorgio and Alberto Savinio—represent a contrary vision of the monument. In the case of the former, the apogee of monuments had led to their de-signification. In Savinio, on the other hand—against the non-historical exteriority that monuments represented for his brother—they present an interiority from which a deep significance emanated; as if their presence had been reduced to the imagination. The work of these two Italians is a reflection on the abstraction of the instant, dramatized by the monument and its figuration. | |
| dc.format | application/pdf | |
| dc.language | en | |
| dc.publisher | Universidad Nacional Autónoma de México | |
| dc.publisher | Instituto de Investigaciones Estéticas | |
| dc.subject | Monument | |
| dc.subject | Giorgio de Chirico | |
| dc.subject | Alberto Savinio | |
| dc.subject | Metaphysics | |
| dc.title | The Enigma of the Horse: The Image of the Monument as Fiction | |
| dc.type | PDF | |
