Kickstarting Italian Opera in the Andes: the 1840s and the First Opera Companies

dc.creatorIzquierdo König, José Manuel
dc.date.accessioned2024-01-15T13:41:43Z
dc.date.accessioned2024-05-02T16:56:18Z
dc.date.available2024-01-15T13:41:43Z
dc.date.available2024-05-02T16:56:18Z
dc.date.created2024-01-15T13:41:43Z
dc.date.issued2023
dc.identifier10.1017/9781009223027
dc.identifier9781009223027
dc.identifierhttps://doi.org/10.1017/9781009223027
dc.identifierhttps://repositorio.uc.cl/handle/11534/80452
dc.identifierWOS:001064842700001
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9267407
dc.description.abstractDuring the 19th century, Italian opera became truly transatlantic and its rapid expansion is one of the most exciting new areas of study in music and the performing arts. Beyond the Atlantic coasts, opera searched for new spaces to expand its reach. This Element discusses about the Italian opera in Andean countries like Chile, Peru, Ecuador and Bolivia during the 1840s and focuses on opera as a product that both challenged and was challenged in the Andes by other forms of performing arts, behaviours, technologies, material realities, and business models.
dc.languageen
dc.publisherCambridge University Press
dc.rightsacceso restringido
dc.subjectItalian opera
dc.subjectAndean region
dc.subjectTransatlantic
dc.subjectGlobal history
dc.subjectImpresario
dc.titleKickstarting Italian Opera in the Andes: the 1840s and the First Opera Companies
dc.typelibro


Este ítem pertenece a la siguiente institución