Las inmersiones del “Yo” en el drama contemporáneo: Ivana Sajko en su obra Zena-Bomba
| dc.contributor | Brncic Becker, Carolina | |
| dc.creator | Parraguez, Roque | |
| dc.date.accessioned | 2024-04-11T18:27:07Z | |
| dc.date.accessioned | 2024-04-30T16:45:23Z | |
| dc.date.available | 2024-04-11T18:27:07Z | |
| dc.date.available | 2024-04-30T16:45:23Z | |
| dc.date.created | 2024-04-11T18:27:07Z | |
| dc.date.issued | 2024 | |
| dc.identifier | https://repositorio.uchile.cl/handle/2250/197950 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/9257276 | |
| dc.language | es | |
| dc.publisher | Universidad de Chile | |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | |
| dc.title | Las inmersiones del “Yo” en el drama contemporáneo: Ivana Sajko en su obra Zena-Bomba | |
| dc.type | Tesis |