Clément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptance

Clément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptance;
Clément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptance;
Clément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptance;
Clément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptance;
Clément Rosset e a duplicação do real. O paradoxo do ator entre a proteção fracassada e a aceitação jubilosa

dc.creatorCosta, Gustavo Bezerra do Nascimento
dc.date2018-07-13
dc.date.accessioned2023-09-27T19:47:22Z
dc.date.available2023-09-27T19:47:22Z
dc.identifierhttps://periodicos.ufsm.br/voluntas/article/view/33639
dc.identifier10.5902/2179378633639
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8941965
dc.descriptionIn The real and its double, Clément Rosset points out to the paradoxical structure of duplication of the world, the man and the events operated by the illusion that yearns to be, at the same time, itself and another. Two ethic alternatives would come out: to protect yourself from the real by the paradoxical and failed creation of a double, or accept it through the heroic jubilation. This structure, in fact, refers to the paradox that, since Diderot, would characterize the actor in scene: “to become everyone, being no one”. Taking the image of that same actor – this time, focusing the processes of cultivation and incorporation that, according to Stanislasvki, would make up the character – we intend to present a third possibility,known by the Greeks, whose principle demands to dominate kairós, the opportune time to the action, and then, stealing from the chances the cunning that turns them into fate.en-US
dc.descriptionEm O real e seu duplo, Clément Rosset aponta para a estrutura paradoxal de duplicação do acontecimento, do mundo e do homem operada pela ilusão que anseia por ser, ao mesmo tempo, ela e outra. Duas alternativas éticas se descortinariam a partir daí: proteger-se do real pela criação paradoxal e fracassada de um duplo, ou aceitá-lo por meio do júbilo heroico. Tal estrutura, com efeito, remete ao paradoxo que, já em Diderot, caracterizaria o ator em cena: “vir a ser todos sem ser ninguém”. E é tendo como imagem esse mesmo ator – dessa vez, nos processos de cultivo e incorporação que, segundo Stanislavski, comporiam o personagem – que se pretende apresentar uma terceira possibilidade, presente já nos gregos, cujo princípio demanda dominar o kairós, o tempo oportuno à ação, para com ele roubar do acaso a astúcia que o converte em destino.pt-BR
dc.formatapplication/pdf
dc.languagepor
dc.publisherUniversidade Federal de Santa Mariapt-BR
dc.relationhttps://periodicos.ufsm.br/voluntas/article/view/33639/pdf
dc.rightsCopyright (c) 2018 Voluntas: Revista Internacional de Filosofiapt-BR
dc.sourceVoluntas: International Journal of Philosophy; Bd. 9 Nr. 1 (2018): Schopenhauer: Philosophie und Philosophieren; 161-172de-DE
dc.sourceVoluntas: International Journal of Philosophy; Vol. 9 No. 1 (2018): Schopenhauer: the philosophy and philosophizing; 161-172en-US
dc.sourceVoluntas: International Journal of Philosophy; Vol. 9 Núm. 1 (2018): Schopenhauer: a filosofia e o filosofar; 161-172es-ES
dc.sourceVoluntas: International Journal of Philosophy; Vol. 9 No 1 (2018): Schopenhauer: a filosofia e o filosofar; 161-172fr-FR
dc.sourceVoluntas: International Journal of Philosophy; V. 9 N. 1 (2018): Schopenhauer: la filosofia e il filosofare; 161-172it-IT
dc.sourceVoluntas: Revista Internacional de Filosofia; v. 9 n. 1 (2018): Schopenhauer: a filosofia e o filosofar; 161-172pt-BR
dc.source2179-3786
dc.subjectHypocrisyen-US
dc.subjectDeceiten-US
dc.subjectSelf-deceptionen-US
dc.subjectMêtisen-US
dc.subjectKairósen-US
dc.subjectHipocrisiapt-BR
dc.subjectEnganopt-BR
dc.subjectAutoenganopt-BR
dc.subjectMêtispt-BR
dc.subjectKairóspt-BR
dc.titleClément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptancede-DE
dc.titleClément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptanceen-US
dc.titleClément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptancees-ES
dc.titleClément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptancefr-FR
dc.titleClément Rosset and the duplication of the real. The paradox of the actor between the failed protection and the joyous acceptanceit-IT
dc.titleClément Rosset e a duplicação do real. O paradoxo do ator entre a proteção fracassada e a aceitação jubilosapt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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