dc.contributorBrites, Jurema Gorski
dc.creatorComim, André Alvarez Grohe
dc.date.accessioned2023-08-29T12:24:39Z
dc.date.accessioned2023-09-04T19:33:40Z
dc.date.available2023-08-29T12:24:39Z
dc.date.available2023-09-04T19:33:40Z
dc.date.created2023-08-29T12:24:39Z
dc.date.issued2023-07-21
dc.identifierhttp://repositorio.ufsm.br/handle/1/30106
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8626662
dc.description.abstractThis article deals with the trajectory of rock music, both as art and as a consumer commodity. People recognized the emergence of rock music as a worldwide phenomenon of criticism, rebellion, and breaking of paradigms, as well as innovation, directed against the capitalist system and social rules. However, we will also analyze it as merchandise disseminated as an art product in the cultural industry. At the same time, it is a counterculture phenomenon. One of its characteristics is the pendulum movement concerning the concept of merchandise, which is both absorbed by the market and used to show certain autonomy from the market.
dc.publisherUniversidade Federal de Santa Maria
dc.publisherBrasil
dc.publisherUFSM
dc.publisherCentro de Ciências Sociais e Humanas
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsAcesso Aberto
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.subjectRock’n’roll, música, arte, merchandising
dc.subjectRock’n’roll
dc.subjectmúsica
dc.subjectarte
dc.subjectmerchandising
dc.subjectRock'n'roll
dc.subjectmusic
dc.subjectart
dc.subjectmerchandising
dc.titleRock, Arte e Mercadoria uma reflexão sobre a difusão do Rock e a Industria Cultural
dc.typeTrabalho de Conclusão de Curso de Graduação


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