dc.contributor | Brites, Jurema Gorski | |
dc.creator | Comim, André Alvarez Grohe | |
dc.date.accessioned | 2023-08-29T12:24:39Z | |
dc.date.accessioned | 2023-09-04T19:33:40Z | |
dc.date.available | 2023-08-29T12:24:39Z | |
dc.date.available | 2023-09-04T19:33:40Z | |
dc.date.created | 2023-08-29T12:24:39Z | |
dc.date.issued | 2023-07-21 | |
dc.identifier | http://repositorio.ufsm.br/handle/1/30106 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/8626662 | |
dc.description.abstract | This article deals with the trajectory of rock music, both as art and as a consumer
commodity. People recognized the emergence of rock music as a worldwide
phenomenon of criticism, rebellion, and breaking of paradigms, as well as
innovation, directed against the capitalist system and social rules. However, we
will also analyze it as merchandise disseminated as an art product in the cultural
industry. At the same time, it is a counterculture phenomenon. One of its
characteristics is the pendulum movement concerning the concept of
merchandise, which is both absorbed by the market and used to show certain
autonomy from the market. | |
dc.publisher | Universidade Federal de Santa Maria | |
dc.publisher | Brasil | |
dc.publisher | UFSM | |
dc.publisher | Centro de Ciências Sociais e Humanas | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | Acesso Aberto | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | |
dc.subject | Rock’n’roll, música, arte, merchandising | |
dc.subject | Rock’n’roll | |
dc.subject | música | |
dc.subject | arte | |
dc.subject | merchandising | |
dc.subject | Rock'n'roll | |
dc.subject | music | |
dc.subject | art | |
dc.subject | merchandising | |
dc.title | Rock, Arte e Mercadoria uma reflexão sobre a difusão do Rock e a Industria Cultural | |
dc.type | Trabalho de Conclusão de Curso de Graduação | |