Latin American Theatre Review

dc.creatorMurguercia-Arias, Magaly
dc.date2018-06-27T19:37:57Z
dc.date2022-07-07T15:00:11Z
dc.date2018-06-27T19:37:57Z
dc.date2022-07-07T15:00:11Z
dc.date2013
dc.date.accessioned2023-08-21T22:22:37Z
dc.date.available2023-08-21T22:22:37Z
dc.identifier1110233
dc.identifier1110233
dc.identifierhttps://hdl.handle.net/10533/215146
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8289665
dc.descriptionOn the threshold of the “revolutionary years,” Latin American artists began to think of theatricality in terms of an “event,” as the emergence of the new on a physical level, beyond ideology and questions of representation. This article presents examples of this trend in anthropologically-inspired works performed during the 1950s, outside conventional theatre spaces. Experiments with theatre-in-the round produce effects on the audience that correspond neither to identification nor to “alienation.” Latin American “happenings” and the practices of groups such as Arena and Opinião in Brazil raise questions regarding the relationship between theatre and politics, as groups move away from principles of representation in order to focus on theatre as a radical “event” based on extreme corporality.
dc.languageeng
dc.relationinstname: Conicyt
dc.relationreponame: Repositorio Digital RI2.0
dc.relationinfo:eu-repo/grantAgreement//1110233
dc.relationinfo:eu-repo/semantics/dataset/hdl.handle.net/10533/93477
dc.relationhttps://muse.jhu.edu/article/582369/pdf
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
dc.titleTheater as an "event" in Latin America of the 50s and 60s
dc.titleLatin American Theatre Review
dc.typeArticulo
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


Este ítem pertenece a la siguiente institución