Algunos comentarios de la cerámica vidriada de Antigua Guatemala

Algunos comentarios de la cerámica vidriada de Antigua Guatemala;
Algunos comentarios de la cerámica vidriada de Antigua Guatemala

dc.creatorLaporte Molina, Jean Pierre
dc.date2010-04-20
dc.date.accessioned2023-06-20T17:23:30Z
dc.date.available2023-06-20T17:23:30Z
dc.identifierhttps://www.revistas.unam.mx/index.php/antropologia/article/view/16835
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6729104
dc.descriptionThe Guatemala prehispanic pottery was suddenlv enriched with the introductions of the glazed wares from Spain. Since then, two parallel traditions are present in Guatemala. In this paper, the authors present some cornments on the glazed pottery tradition. The ceramics analysed come from several monuments of Antigua Guatemala, mainly from the Convents of San Francisco and Santo Domingo, and the Palacio Arzobispal. The glazed pottery includes an important group of monochrome wares in green, brorwn, and, less popular, in yellow and grav, which are used for more utilitarian Purposes than a second class of glazed pottery, the white majolica. the main ceramic trend in colonial times. Majolica develops four designs combining green, yellow and black in its Polichrome version: it also appears heavily represented by green Phytomorphic designs on the wh¡te surface. The third rnajolicatype is the monochrome version in white, sometimes bearing a monogram of the religious order. Another important trend in the glazed wares of Antigua that depends directly on the majolica tradition is the use of blue color. This is a variety which seldom occurs in Antigua due to the lack of cobalt in Guatemala. There is a local development of the blue color tradition applied to the typical Antigua designs, but it never appears as frequently as the above mentioned majolicas. In recent times, the use ot blue color has gained an important position in the Guatemalan ceramics as a result of access to cobalt through importation.en-US
dc.descriptionSe analiza y se comenta la cerámica vidriada proveniente de los conventos de San Francisco, Santo Domingo y del Palacio Arzobispal de la Antigua Guatemala. Esta colección de cerámica está conformada por piezas monocromas de uso común durante la Colonia. Por otra parte, la mayólica desarrrolló cuatro diseños combinando varios colores en los que se representaban diseños fitomorfos.es-ES
dc.formatapplication/pdf
dc.languagespa
dc.publisherInstituto de Investigaciones Antropológicases-ES
dc.relationhttps://www.revistas.unam.mx/index.php/antropologia/article/view/16835/pdf_188
dc.sourceAnnals of Anthropology; Vol. 14 No. 1 (1977)en-US
dc.sourceAnales de Antropología; Vol. 14 Núm. 1 (1977)es-ES
dc.source2448-6221
dc.source0185-1225
dc.source10.22201/iia.24486221e.1977.1
dc.subjectCerámicaes-ES
dc.subjectMayólicaes-ES
dc.subjectAlfarería vidriadaes-ES
dc.titleAlgunos comentarios de la cerámica vidriada de Antigua Guatemalaen-US
dc.titleAlgunos comentarios de la cerámica vidriada de Antigua Guatemalaes-ES
dc.titleAlgunos comentarios de la cerámica vidriada de Antigua Guatemalafr-CA
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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