dc.creator | Mier, Raymundo | |
dc.date.accessioned | 2009-09-11T16:22:10Z | |
dc.date.accessioned | 2011-04-15T22:18:00Z | |
dc.date.accessioned | 2016-09-08T14:55:47Z | |
dc.date.available | 2009-09-11T16:22:10Z | |
dc.date.available | 2011-04-15T22:18:00Z | |
dc.date.available | 2016-09-08T14:55:47Z | |
dc.date.created | 2009-09-11T16:22:10Z | |
dc.date.created | 2011-04-15T22:18:00Z | |
dc.date.created | 2016-09-08T14:55:47Z | |
dc.date.issued | 1989 | |
dc.identifier | Semiosis, enero-diciembre 1989, no. 22-23, p. 477-508 | |
dc.identifier | http://hdl.handle.net/123456789/6386 | |
dc.identifier | http://cdigital.uv.mx/handle/123456789/6386 | |
dc.language | es | |
dc.publisher | Centro de Investigaciones Lingüístico Literarias. Universidad Veracruzana | |
dc.subject | Semiótica | |
dc.subject | Figurillas de arcilla | |
dc.subject | Arte indígena--México--Veracruz-Llave (Estado) | |
dc.title | La invención de los signos vacios: hacia un análisis semióticos de las "Caritas sonrientes" | |
dc.type | Article | |