dc.creator | Metz, Christian | |
dc.date.accessioned | 2009-10-14T17:09:35Z | |
dc.date.accessioned | 2011-04-15T22:16:16Z | |
dc.date.accessioned | 2016-09-08T14:54:26Z | |
dc.date.available | 2009-10-14T17:09:35Z | |
dc.date.available | 2011-04-15T22:16:16Z | |
dc.date.available | 2016-09-08T14:54:26Z | |
dc.date.created | 2009-10-14T17:09:35Z | |
dc.date.created | 2011-04-15T22:16:16Z | |
dc.date.created | 2016-09-08T14:54:26Z | |
dc.date.issued | 1993 | |
dc.identifier | Semiosis, enero-diciembre 1993, nos. 30-31, p. 87-96 | |
dc.identifier | http://hdl.handle.net/123456789/6588 | |
dc.identifier | http://cdigital.uv.mx/handle/123456789/6588 | |
dc.language | es | |
dc.publisher | Centro de Investigaciones Lingüístico Literarias. Universidad Veracruzana | |
dc.subject | Análisis del discurso | |
dc.subject | Semiótica y cine | |
dc.subject | Cine | |
dc.title | La segunda pantalla o el rectángulo al cuadrado (Sobre una figura reflexiva del film) | |
dc.type | Article | |