dc.creatorÁlvarez Caselli, Pedro
dc.creatorMiranda Vidal, Josefina
dc.creatorGarcía, Macarena
dc.date.accessioned2022-11-25T15:30:15Z
dc.date.available2022-11-25T15:30:15Z
dc.date.created2022-11-25T15:30:15Z
dc.date.issued2020
dc.identifier10.1093/jdh/epaa039
dc.identifierhttps://academic.oup.com/jdh/article/33/4/313/5911956
dc.identifierhttps://repositorio.uc.cl/handle/11534/65729
dc.description.abstractIn the second half of the 1960s, prêt-à-porter (ready-to-wear) fashion was established in Chile. As an alternative to haute couture (high fashion), prêt-à-porter brought an eagerness for modernisation that was reflected in the setting up of a network of women-led boutiques, which developed strongly between 1967 and 1973. This article first examines the precedents that allowed for the creation of a ‘local fashion system’ that promoted collective work around trades such as knitting and dressmaking. It also analyses the arrangement of a circuit of boutiques in the comuna of Providencia, a strategic sector of Santiago de Chile (the capital city) that fostered the dynamics of social gathering. Later, the article describes the profile of the designer-entrepreneurs whose work was attuned to a female consumer segment that aimed to access a new formula of the modernising bourgeoisie. It also reassesses the rise of a movement called Moda Autóctona, which distanced itself from European fashion and was supported by the government during the socialist regime of Salvador Allende. Lastly, it tackles the eventual dismantling of this network of women’s fashion stores as a resultof the installation of a military dictatorship in Chile.
dc.languagees
dc.rightsacceso restringido
dc.subjectChilean prêt-à-porter
dc.subjectFashion
dc.subjectFeminine modernity
dc.subjectMaterial culture
dc.subjectNetwork of boutiques
dc.subjectWomen designers
dc.titleBoutiques and Prêt-à-porter in Santiago de Chile: a formula for women’s modernity (1967–1973)
dc.typeartículo


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