Edição fotográfica como um processo de construção de narrativas visuais

Abstract

One of the most common characterizations for this time is the quantity of images produced every minute and, in the middle of all this, those images produced in a more expressive, careful way, are lost. Because of this, it is worth reflecting on what makes them unique, which makes it an eternal image. From this point of view, the photographic edition enters and assumes its role, walking side by side with cinema theories in order to base the image reading and delineate the constructive process of a visual photographic narrative. So, the present research presents and applies the theories based on the projects of two Brazilian photographers, Pedro David and Gilvan Barreto.