An approach to the figure and aesthetic ideas of Alexander J. Kostellow: Plastic artist and Industrial Design education pioneer

dc.contributorGómez, J.F., University of Guadalajara, Jalisco, Mexico
dc.creatorGomez, J.F.
dc.date.accessioned2015-11-18T23:43:40Z
dc.date.accessioned2022-11-02T15:11:50Z
dc.date.available2015-11-18T23:43:40Z
dc.date.available2022-11-02T15:11:50Z
dc.date.created2015-11-18T23:43:40Z
dc.date.issued2010
dc.identifierhttp://hdl.handle.net/20.500.12104/63209
dc.identifierhttp://www.scopus.com/inward/record.url?eid=2-s2.0-84890324932&partnerID=40&md5=d8e8f4c97293fe5ca1664ef96c696a0c
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5010517
dc.description.abstractAt the beginning of the 1930s, the painter and plastic arts educator, Alexander Jusserand Kostellow, developed the theory of what he called the Plastic Recession of Form. The theory addressed the importance of composition elements such as negative space, recession, and surface axis in a given work of art. These aesthetic ideas led him to configure the foundation course for Industrial Design studies and training at the Pratt Institute in the second half of that decade. © Common Ground, Jaime Francisco Gómez, All Rights Reserved.
dc.relationDesign Principles and Practices
dc.relation4
dc.relation1
dc.relation33
dc.relation38
dc.relationScopus
dc.titleAn approach to the figure and aesthetic ideas of Alexander J. Kostellow: Plastic artist and Industrial Design education pioneer
dc.typeArticle


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