Adaptaciones y arreglos de tres pasillos para duo de guitarra

Abstract

The pasillo in the Ecuador has become a representative gender of the Ecuadorian musical culture, but to why the pasillo and not an autochthonous gender characteristic of our country has became a distinguished characteristic musical Ecuadorian it is what we will be studying along the first chapter of this thesis, this way it will be approached its incursion and evolution like gender, later on three pasillos will be selected to serve for the last work of arrangements primary purpose of this work. In a same way the evolution of the academic guitar will be studied, its representatives and also the academic and popular techniques, these tools are indispensable to carry out the arrangements later on with a balance in the academic and popular treatment.