dc.date.accessioned | 2020-03-11T20:27:43Z | |
dc.date.accessioned | 2022-10-18T22:43:37Z | |
dc.date.available | 2020-03-11T20:27:43Z | |
dc.date.available | 2022-10-18T22:43:37Z | |
dc.date.created | 2020-03-11T20:27:43Z | |
dc.date.issued | 2016 | |
dc.identifier | http://hdl.handle.net/10533/238378 | |
dc.identifier | 15110006 | |
dc.identifier | WOS:000384690100004 | |
dc.identifier | no scielo | |
dc.identifier | eid=2-s2.0-84989249018 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4469717 | |
dc.description.abstract | In January 2016, the first publicized decision made by the president of the newly installed Venezuelan parliament, Henry Ramos Allup, was the removal of pictures from the legislative premises. In what transpired as a calculated performance, this member of | |
dc.language | eng | |
dc.relation | https://doi.org/10.1111/1467-8322.12296 | |
dc.relation | 10.1111/1467-8322.12296 | |
dc.rights | info:eu-repo/semantics/openAccess | |
dc.rights | Atribución-NoComercial-SinDerivadas 3.0 Chile | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/cl/ | |
dc.title | The afterlives of Hugo Chávez as political symbol | |
dc.type | Articulo | |