dc.date.accessioned2020-03-11T20:27:43Z
dc.date.accessioned2022-10-18T22:43:37Z
dc.date.available2020-03-11T20:27:43Z
dc.date.available2022-10-18T22:43:37Z
dc.date.created2020-03-11T20:27:43Z
dc.date.issued2016
dc.identifierhttp://hdl.handle.net/10533/238378
dc.identifier15110006
dc.identifierWOS:000384690100004
dc.identifierno scielo
dc.identifiereid=2-s2.0-84989249018
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4469717
dc.description.abstractIn January 2016, the first publicized decision made by the president of the newly installed Venezuelan parliament, Henry Ramos Allup, was the removal of pictures from the legislative premises. In what transpired as a calculated performance, this member of
dc.languageeng
dc.relationhttps://doi.org/10.1111/1467-8322.12296
dc.relation10.1111/1467-8322.12296
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 Chile
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
dc.titleThe afterlives of Hugo Chávez as political symbol
dc.typeArticulo


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