Tesis
Heavy metal em Cuiabá : cena musical e lugares do underground na cidade
Fecha
2018-12-13Registro en:
GOMES, Iuri Barbosa. Heavy metal em Cuiabá: cena musical e lugares do underground na cidade. 2018. 385 f. Tese (Doutorado em Estudos de Cultura Contemporânea) - Universidade Federal de Mato Grosso, Faculdade de Comunicação e Artes, Cuiabá, 2018.
Autor
Gushiken, Yuji
http://lattes.cnpq.br/4697447223916653
Gushiken, Yuji
667.836.741-34
http://lattes.cnpq.br/4697447223916653
Palhares, Taís Helena
847.262.456-00
http://lattes.cnpq.br/2765912623076079
667.836.741-34
Barros, Moacir Francisco de Sant'Ana
395.492.081-68
http://lattes.cnpq.br/0555767806744471
Lima, Maria Érica de Oliveira
534.648.853-72
http://lattes.cnpq.br/6732708640687417
Woitowicz, Karina Janz
028.648.369-63
http://lattes.cnpq.br/5489766982257303
Institución
Resumen
The city of Cuiabá, capital of the state of Mato Grosso, is embedded in the borders of
the Mato Grosso Pantanal and the South American Geodesic Center. About three
centuries later, it reverberates contradictions of an urbanization marked by the
coexistence of memories of the old with the virtualities of the modern. The city
moved from the garimpo in the 18th Century to the emergent metropolis in the
Brazilian Midwest of the 21st Century. In the hinterland of Mato Grosso, Cuiabá
holds the cosmopolitanism of intercultural relations as symbolic capital inscribed in
its historical formation and geographical characterization. It is in this social space that
emerges a musical scene that calls itself underground, already in the passage from the
20th Century to the 21st. This research on contemporary culture uses an
interdisciplinary approach, from the field of communication, to investigate the
musical scene of the heavy metal cuiabano. In the model of communication studies as
culture (LIMA, 2001), communication is defined as a symbolic process in which
reality is produced, maintained, repaired and transformed. This theoretical approach
suggests the realization of a historical-critical analysis for the elucidation of the
meanings involved in cultural practices. Thus, this thesis presents a narrative about
bands of authorial character that formed the metallic scene - which, in turn, emerges
in the midst of the rock scene in the city. The cuiabana heavy metal scene consists of
performing, communicational and musical practices. These practices form a deviant
know-how hornbook that has been updated in places where heavy metal could be
heard in the urban space in Cuiabá in the first decade of the 2000s. The emphasis of
the research is in the period between 2004 (year of inauguration of Cavernas Bar) and
2014 (year in which the research was started), but also the rock route in the city is
presented, because it is from the very dynamics of the rock scene that heavy metal
emerges in the musical scene cuiabano and reverberates by the city. This route is built
from structured, semi-structured and open (unstructured) interviews recorded in audio
and video - and also made by Skype, Whatsapp and e-mail. Primary sources (fanzines,
posters, CDs and other items) were also used, as well as an on-site experience of the
researcher. In this thesis, we use concepts from geography - place, in the meanings of
Yi-Fu Tuan (1983), Doreen Massey (1994) and Milton Santos (2014) - and
ethnomusicology - music scene according to Will Straw (1984, 2002, 2011, 2014)
And Andy Bennett (2004), and sound landscape by Raymond Murray Schafer (2001).
From these concepts it is sought to understand the know-how of instrumentalists and
performers, among dilettantes and enthusiasts, of "heavy music" and the practices that
were part of the underground environment and its places in the garimpo-city.