Tesis
A escritura do avesso : o dizer do inominável em Menino do Mato
Fecha
2016-03-23Registro en:
SALES, Joémerson de Oliveira. A escritura do avesso: o dizer do inominável em Menino do Mato. 2016. 78 f. Dissertação (Mestrado em Estudos de Linguagem) - Universidade Federal de Mato Grosso, Instituto de Linguagens, Cuiabá, 2016.
Autor
Barth, Luís Fernando Barnetche
http://lattes.cnpq.br/0050223383656762
Barth, Luís Fernando Barnetche
466.195.420-34
http://lattes.cnpq.br/0050223383656762
Pereira, Vinícius Carvalho
109.873.267-75
http://lattes.cnpq.br/5304593788129950
466.195.420-34
Mantovani, Antonio Aparecido
513.007.969-87
http://lattes.cnpq.br/0263606740522344
Institución
Resumen
This research presents the writing notion to understand the real and fictional binomial
within the poem Menino do mato. Through these spaces we can recognize the lyric
voices who want to unsee the world. This research brings the unsee act as a device
to unravel the circularity present in this Manoel de Barros’s masterpiece. According to
Alfredo Bosi, the poet looks back on his childhood searching for new meanings to his
experiences and looking for freedom. He desires to run away from the emptiness to
dive into the depth of the senses. The inaugural look of the I-lyrical projects pictures
through the prefix “un” which creates new expressions, such as “unsee” and
“unopened”. These aspects allude to the concept of cheating from Roland Barthes’s
studies. According to Barthes, cheating is a strategy used to express through words
something from an unamenable order. This research conceives this phenomenon as
a way to play with fiction and reality. Moreover, it is in the verses of literature we look
for some pieces of reality. It may be perceived through the incessant desire of the ILyrical to use the bird words. This desire lead us to Jacques Lacan’s studies, which
shows that the desire is connected to metonymy. In this sense, it is possible to notice
that the I-Lyrical makes a circular journey and, along his way, he has to deal with his
own will of embellishing the poetry – this is the key point of the reading. Thus, this
research is based on the semiotic studies of Roland Barthes and some assumptions
from Jacques Lacan and Jacques Derrida, among other authors. Our analysis
highlights three main elements of the poem: the unsee; the wanted and the bird
words. These elements dialogue with our theoretical references. We analyze these
aspects through an interpretative panorama that arises from the idea of a game with
fiction and reality stablished from Barthes’s theory about cheating. Therefore, the aim
of this research is to investigate the scopic drive in the poem Menino do mato,
building an appraisal of this poetry without, however, exhaust the meanings of this
masterpiece.