Para que os olhos se demorem: os sentidos da visão na produção em dança de um corpo pandêmico

Abstract

The present research is a Work of Completion of Course in Dance Bachelor and investigates the uses of the vision in the production in dance, during the pandemic of Covid-19. The intention was to produce a video dance that starts from the question: how does the vision organize my movement during the quarantine? Methodologically, it works based on the Feldenkrais technique and the Tuning Scores, to explore the relationship between the senses, attention and movement. With the use of the camera in detail plan, close-up and middle foreground frames, we envision a relationship with the (in) visibility of breathing and the imagery of intimacy in the experience of isolation and domestic space. The pandemic body and its elaboration between art and science are considered from the dialogue with the reflections of Jeremy Stolow. The vision is studied from the contributions of Tim Ingold, Merleau Ponty and Gibson. The organization of a choreopolicis and a choreopolitics during the pandemic are reflected from Lepecki. Finally, the dialogue about displacement promoted by the experience of the pandemic body, such as microbiological cohabitation, social distance and video technologies reconfigure the experience of intimacy and collectivity. Education of attention and vision lead to consider specificity in the construction of singular relations with the space of the city, the home and otherness, in the establishment of a new common, through new flows and frontiers that place care in its double dimension of privilege and priority in the ways of governing the bodies.