dc.contributorNeckel, Inajá
dc.creatorSinski, Maurício
dc.date.accessioned2022-03-04T15:14:48Z
dc.date.accessioned2022-10-07T23:40:32Z
dc.date.available2022-03-04T15:14:48Z
dc.date.available2022-10-07T23:40:32Z
dc.date.created2022-03-04T15:14:48Z
dc.date.issued2022-02-18
dc.identifierhttp://repositorio.ufsm.br/handle/1/23749
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/4041235
dc.description.abstractThis work arises from the research of the Final Paper entitled Improper Body: Open Body. Its proposition was to think about the notion of the body in the opening to the uniqueness according to the thought of the philosopher Jean-Luc Nancy. The objective was to put into laboratory practice a process aimed at opening and uniqueness, producing a thought about the body, the theater and the relationship between the sensitive and the subjectivity. Its methodology was based on Practice as Research as a path to a methodological approach, thus placing artistic practice as the driving force of the process and the production of thought. From this, performance interventions were carried out: Body-Machine and Water Column. In the improprieties in the body as an opening, I leave traces of presences and the effects of presences that are related, which create and weave this research.
dc.publisherUniversidade Federal de Santa Maria
dc.publisherBrasil
dc.publisherUFSM
dc.publisherCentro de Artes e Letras
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsAcesso Aberto
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.subjectTeatro
dc.subjectPrática como pesquisa
dc.subjectCorpo
dc.subjectTheater
dc.subjectPractice as research
dc.subjectBody
dc.titleCorpo impróprio: corpo aberto
dc.typeTrabalho de Conclusão de Curso de Graduação


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