dc.contributor | Neckel, Inajá | |
dc.creator | Sinski, Maurício | |
dc.date.accessioned | 2022-03-04T15:14:48Z | |
dc.date.accessioned | 2022-10-07T23:40:32Z | |
dc.date.available | 2022-03-04T15:14:48Z | |
dc.date.available | 2022-10-07T23:40:32Z | |
dc.date.created | 2022-03-04T15:14:48Z | |
dc.date.issued | 2022-02-18 | |
dc.identifier | http://repositorio.ufsm.br/handle/1/23749 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/4041235 | |
dc.description.abstract | This work arises from the research of the Final Paper entitled Improper Body: Open Body. Its
proposition was to think about the notion of the body in the opening to the uniqueness
according to the thought of the philosopher Jean-Luc Nancy. The objective was to put into
laboratory practice a process aimed at opening and uniqueness, producing a thought about the
body, the theater and the relationship between the sensitive and the subjectivity. Its
methodology was based on Practice as Research as a path to a methodological approach, thus
placing artistic practice as the driving force of the process and the production of thought.
From this, performance interventions were carried out: Body-Machine and Water Column. In
the improprieties in the body as an opening, I leave traces of presences and the effects of
presences that are related, which create and weave this research. | |
dc.publisher | Universidade Federal de Santa Maria | |
dc.publisher | Brasil | |
dc.publisher | UFSM | |
dc.publisher | Centro de Artes e Letras | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | Acesso Aberto | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | |
dc.subject | Teatro | |
dc.subject | Prática como pesquisa | |
dc.subject | Corpo | |
dc.subject | Theater | |
dc.subject | Practice as research | |
dc.subject | Body | |
dc.title | Corpo impróprio: corpo aberto | |
dc.type | Trabalho de Conclusão de Curso de Graduação | |