Adel Souki: contaminações entre barro e o fogo

Abstract

This article is configured as a dialogue with some of the works by Adel Souki, in her permanent state of experimentation, research and exchanges, traversing some clues that have spread in artistic creation / production flows, mediated by clay and fire. It is an exercise of reflection from the re-understanding that in art there are no signs of appeasement, but inquietudes that are transfigured poetically and aesthetically, imposing themselves as coping processes, as ‘part of a ritual to understand life’.