Adel Souki: contaminações entre barro e o fogo

dc.creatorJuliana Gouthier Macedo
dc.date.accessioned2022-02-01T22:41:06Z
dc.date.accessioned2022-10-03T22:33:41Z
dc.date.available2022-02-01T22:41:06Z
dc.date.available2022-10-03T22:33:41Z
dc.date.created2022-02-01T22:41:06Z
dc.date.issued2019
dc.identifier22182-8717
dc.identifierhttp://hdl.handle.net/1843/39252
dc.identifierhttps://orcid.org/0000-0002-0226-542X
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3805342
dc.description.abstractThis article is configured as a dialogue with some of the works by Adel Souki, in her permanent state of experimentation, research and exchanges, traversing some clues that have spread in artistic creation / production flows, mediated by clay and fire. It is an exercise of reflection from the re-understanding that in art there are no signs of appeasement, but inquietudes that are transfigured poetically and aesthetically, imposing themselves as coping processes, as ‘part of a ritual to understand life’.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEBA - DEPARTAMENTO DE ARTES PLÁSTICAS
dc.publisherUFMG
dc.relationRevista Croma, Estudos Artísticos
dc.rightsAcesso Aberto
dc.subjectBarro
dc.subjectFogo
dc.subjectInstalação
dc.titleAdel Souki: contaminações entre barro e o fogo
dc.typeArtigo de Periódico


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