Appassionata para violão de Ronaldo Miranda: reflexões acerca da prática de revisão

Abstract

From the comparative analysis between the manuscript (1984) and the Orphée Editions (2002) edition of Ronaldo Miranda's Appassionata for guitar, we discuss 24 changes made by the reviewer Fábio Zanon. Focusing on the solutions proposed by the reviewer, feasibility, articulation, dynamics, sonority and compositional aspects were raised. The analysis and the questions raised were supported by concepts of language and interviews with the reviewer and the composer. Based on the results of the analysis and the practical study of the work, we elaborated a comment on the possible motivations of the changes.