Appassionata para violão de Ronaldo Miranda: reflexões acerca da prática de revisão

dc.contributorEduardo Campolina Vianna Loureiro
dc.contributorhttp://lattes.cnpq.br/7563990293407910
dc.contributorVictor Melo Vale
dc.contributorFlávio Terrigno Barbeitas
dc.creatorFilipe Gonçalves de Rezende
dc.date.accessioned2020-04-06T16:22:14Z
dc.date.accessioned2022-10-03T22:19:23Z
dc.date.available2020-04-06T16:22:14Z
dc.date.available2022-10-03T22:19:23Z
dc.date.created2020-04-06T16:22:14Z
dc.date.issued2019-12-04
dc.identifierhttp://hdl.handle.net/1843/33125
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3799248
dc.description.abstractFrom the comparative analysis between the manuscript (1984) and the Orphée Editions (2002) edition of Ronaldo Miranda's Appassionata for guitar, we discuss 24 changes made by the reviewer Fábio Zanon. Focusing on the solutions proposed by the reviewer, feasibility, articulation, dynamics, sonority and compositional aspects were raised. The analysis and the questions raised were supported by concepts of language and interviews with the reviewer and the composer. Based on the results of the analysis and the practical study of the work, we elaborated a comment on the possible motivations of the changes.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherMUSICA - ESCOLA DE MUSICA
dc.publisherPrograma de Pós-Graduação em Música
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectAppassionata de Ronaldo Miranda
dc.subjectPrática de revisão no violão
dc.subjectFábio Zanon
dc.subjectintérprete-revisor
dc.titleAppassionata para violão de Ronaldo Miranda: reflexões acerca da prática de revisão
dc.typeDissertação


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