dc.creatorPineda Repizzo, Adryan Fabrizio
dc.date.accessioned2020-06-11T13:21:19Z
dc.date.accessioned2022-09-22T13:52:44Z
dc.date.available2020-06-11T13:21:19Z
dc.date.available2022-09-22T13:52:44Z
dc.date.created2020-06-11T13:21:19Z
dc.identifier0120-4688
dc.identifierhttps://repository.urosario.edu.co/handle/10336/24820
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3433581
dc.description.abstractThis article presents a reflection on the place and the relevance of the philosophy of art in an artworld in which anything can be a work of art, from the theoretical proposal of Arthur Danto. If the philosophy has something to say about art, it would be from a position that recognizes the centrality of the artistic practice without demarcating it. The opening in the art cannot be a matter of denial or trial, but an incentive to the thought. However, according to Danto, this requires to accept points of departure and consequences which alter the relationship between art and philosophy.
dc.languagespa
dc.publisherUniversidad del Valle
dc.relationPraxis Filosófica, ISSN:0120-4688, Vol., No.32 (2011); pp. 249-267
dc.relation267
dc.relationNo. 32
dc.relation249
dc.relationPraxis Filosófica
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAbierto (Texto Completo)
dc.sourceinstname:Universidad del Rosario
dc.sourcereponame:Repositorio Institucional EdocUR
dc.subjectfilosofía del arte
dc.subjectfin del arte
dc.subjectindiscernibilidad
dc.subjectpercepción
dc.subjectinterpretación
dc.titleLA FILOSOFÍA DEL ARTE EN LA ÉPOCA DEL FIN DEL ARTE
dc.typearticle


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