dc.creatorSubercaseaux Sommerhoff, Bernardo
dc.date.accessioned2021-04-09T19:05:52Z
dc.date.available2021-04-09T19:05:52Z
dc.date.created2021-04-09T19:05:52Z
dc.date.issued2020
dc.identifierUNIVERSUM · Vol. 35 · N° 1 · 2020
dc.identifier0716-498X - 0718-2376
dc.identifierhttps://repositorio.uchile.cl/handle/2250/179043
dc.description.abstractThe article aims to study the context of production and reception of the poem La Araucana. This, by considering editorial facts and literary historiography both in Spain and the rest of Europe. It also reviews the nationalistic approach, the literary canonization process, and the possibility of migration from one canon to another. Taking this into account, the articles argues for the double inscription of the poem in terms of national and literary identity.
dc.description.abstractthe article aims to study the context of production and reception of the poem La Araucana. This, by considering editorial facts and literary historiography both in Spain and the rest of Europe. It also reviews the nationalistic approach, the literary canonization process, and the possibility of migration from one canon to another. Taking this into account, the articles argues for the double inscription of the poem in terms of national and literary identity.
dc.languagees
dc.publisherUniversidad de Talca, Chile
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
dc.sourceUniversum
dc.subjectReception
dc.subjectLiterary historiography
dc.subjectEpic
dc.subjectCanon
dc.subjectMigration
dc.subjectRecepción
dc.subjectHistoriografía literaria
dc.subjectÉpico
dc.subjectCanon
dc.subjectMigración
dc.titleRecepción de la Araucana en España y Europa: nacionalismo literario, canon y migración
dc.typeArtículo de revista


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