dc.creatorManuel Rodriguez, Jose
dc.creatorSalazar, Omar
dc.date2011
dc.date2021-04-30T16:34:18Z
dc.date2021-04-30T16:34:18Z
dc.date.accessioned2021-06-14T22:08:08Z
dc.date.available2021-06-14T22:08:08Z
dc.identifierACTA LITERARIA,Vol.,61-78,2011
dc.identifierhttp://repositoriodigital.uct.cl/handle/10925/3016
dc.identifier10.4067/S0717-68482011000100005
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3301312
dc.descriptionEl obscene pajaro de la noche (The obscene night bird), in line to other great novels of Latin American Boom, understands that the omniscient author, like the ego, is a small tirant, though not a body tirant, but a tirant of narration itself. This novel tries to get free from that god through a series of devices. Among these devices we posit the co-existence of two basic narrators: one of them, resposible for the novel's pre-text, is closer to oral discourse, and the other one, responsible for the text proper, is closer to omniscience, and in regard to discourse, works within the framework of literacy. The theory that allows an analysis like this is the one that studies bodies that lack an ego, schizophrenia, and hence we try to join some schizoanalysis propositions and some of narratology and text analysis in order to study the narrative stratum of El obscene pajaro de la noche. It is important to point out that for our study we have used Donoso's manuscripts, kept at the libraries of The Univesity of Iowa and Princeton University.
dc.languagees
dc.publisherUNIV CONCEPCION. FAC HUMANIDADES ARTE
dc.sourceACTA LITERARIA
dc.subjectNarrator
dc.subjectmanuscripts
dc.subjectschizophrenia
dc.subjectimbunche
dc.subjectorality
dc.subjectliteracy
dc.titleA flight without organs? (Ego, orality and writing in El obsceno pajaro de la noche)
dc.typeArticle


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