dc.contributorWilliges, Flavio
dc.contributorhttp://lattes.cnpq.br/5467666371380781
dc.contributorSattler, Janyne
dc.contributorhttp://lattes.cnpq.br/9316851338632064
dc.contributorMedeiros, Eduardo Vicentini de
dc.contributorhttp://lattes.cnpq.br/7122348041835817
dc.creatorSenhorinho, Jean Machado
dc.date.accessioned2019-02-22T15:42:32Z
dc.date.accessioned2019-05-24T20:13:03Z
dc.date.available2019-02-22T15:42:32Z
dc.date.available2019-05-24T20:13:03Z
dc.date.created2019-02-22T15:42:32Z
dc.date.issued2018-08-21
dc.identifierhttp://repositorio.ufsm.br/handle/1/15726
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/2839595
dc.description.abstractThis dissertation shows an investigation about how fictional literary works tout court can morally form us. The goal is to constitute a defense to literature potential for our moral formation. As starting point, the first chapter put forward an extensive reconstruction of John Gibson’s position in Fiction and the Weave of Life (2007). In this process, this work adopts Gibson’s treatments for two old philosophical deadlocks about literary art: the fictional one and the cognitive valor one. Summarily, first, the author employs the second Wittgenstein’s approach about language to clarify the direct connection between fictional texts and real world. Second, he advances a neocognitivist thesis to claims literary cognitive value in terms of “acknowledgement” and “understanding”, rather than “knowledge” and “true”. From Gibson’s philosophical vocabulary, in the second chapter, this work creates the “Moral Conceptuary Thesis” as an attempt to clarify how literature tout court can morally form us. According to this thesis, literature can evaluatively reorient our moral concepts; for instance, changing our moral understanding about life and our moral formation. Next, this work tests that proposal against empirical skepticisms and idealistic excesses about literature’s prospect for our moral education. The result of such consideration is a reservation about the current indeterminacy of literature’s moral influence level, frequency, and conditions upon us. The last chapter offers an additional qualification about the role of emotional engagement to adequate understanding of moral concepts. In this regard, the intention is to imply that emotions instigated for literature’s dramatic structure are crucial for morally oriented conceptual assimilation. At the end, for sake of exemplification, this study also brings a reading of Mary Wollstonecraft Shelley’s Frankenstein. This dissertation’s conclusion is that literature tout court has great potential to form us morally, notwithstanding the absence of reliable ways for the precision of such formative impact.
dc.publisherUniversidade Federal de Santa Maria
dc.publisherBrasil
dc.publisherFilosofia
dc.publisherUFSM
dc.publisherPrograma de Pós-Graduação em Filosofia
dc.publisherCentro de Ciências Sociais e Humanas
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.subjectConceitos morais
dc.subjectFilosofia e literatura
dc.subjectFicção
dc.subjectJohn Gibson
dc.subjectNeocognitivismo
dc.subjectFiction
dc.subjectMoral concepts
dc.subjectNeocognitivism
dc.subjectPhilosophy and literature
dc.titleLendo ficções para a vida: literatura, formação moral e emoções
dc.typeTesis


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