dc.contributorCorrea, Helga
dc.contributorhttp://lattes.cnpq.br/4382607878188343
dc.contributorMartins, Marta Lúcia Pereira
dc.contributorhttp://lattes.cnpq.br/2979880140598453
dc.contributorStumm, Rebeca Lenize
dc.contributorhttp://lattes.cnpq.br/2180723274611305
dc.creatorKoester, Carolina Prediger
dc.date.accessioned2018-06-22T12:48:54Z
dc.date.accessioned2019-05-24T19:13:55Z
dc.date.available2018-06-22T12:48:54Z
dc.date.available2019-05-24T19:13:55Z
dc.date.created2018-06-22T12:48:54Z
dc.date.issued2017-03-30
dc.identifierhttp://repositorio.ufsm.br/handle/1/13505
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/2832743
dc.description.abstractThe present master's thesis refers to a research in Visual Poetry / Art and Visuality. The research has as purpose the execution of poetic actions in the urban space that depart from the concept of the poster lambe-lick. The images used in the interventions are engraved and printed in woodcut, which refers to objects used as lighting utensils in the interiors of the houses, before the installation of the electric distribution network in society, such as lamps and lamps. Starting from individual experiences lived with the poetic practice are, perceptions about the process of insertion of the work in the urban space of different Brazilian cities. Some notes on the perceptible differences in the experiences, based on personal notes in the post-collage period, are reported, aiming at the reflection on the field of urban intervention. Woodcuts fixed to light poles occur on certain routes in different urban centers, being their largest concentration in the city of Santa Maria/RS. Making it possible to construct reflections between the internal and external dimensions (Arendt) of the construction as an artist, characterizing part of this reflective production in contemporary art. In the different cities, to know different urban centers, to observe the existing interventions that were there and to see how my work is exposed and dialogues with what is already inserted in the public space, was an exercise to reflect on how Is absorbed by the passer-by.
dc.publisherUniversidade Federal de Santa Maria
dc.publisherBrasil
dc.publisherArtes
dc.publisherUFSM
dc.publisherPrograma de Pós-Graduação em Artes Visuais
dc.publisherCentro de Artes e Letras
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.subjectArte contemporânea
dc.subjectArte e visualidade
dc.subjectIntervenção urbana
dc.subjectXilogravura
dc.subjectLambe-lambe
dc.subjectContemporary art
dc.subjectArt and visuality
dc.subjectUrban intervention
dc.subjectWoodcut
dc.subjectLick lick
dc.titleIntervenção urbana e xilogravura: uma reflexão sobre o espaço urbano e sua ocupação
dc.typeTesis


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