dc.contributorFerrada Aguilar, Héctor
dc.contributorFacultad de Filosofía y Humanidades
dc.contributorDepartamento de Lingüística
dc.creatorCanto Silva, Héctor del
dc.date.accessioned2012-09-28T15:03:45Z
dc.date.available2012-09-28T15:03:45Z
dc.date.created2012-09-28T15:03:45Z
dc.date.issued2012
dc.identifierhttp://repositorio.uchile.cl/handle/2250/110898
dc.description.abstractGeorge Orwell is most popularly known because of his novels dealing with the issue of totalitarian governments or states: Animal Farm and Nineteen Eighty-Four. The former, deals with the topic by means of satire; while the latter, deals with it by means of a dystopia. Orwell‟s dystopia, which is the novel to be studied in this graduate thesis paper, is set in London, in the year 1984. It has been more than twenty-five years form that date, however the threats of a state of that kind and, the worst all, the many reflections of the novel in our society have not disappeared, nor, perhaps, diminished. In the following work, I will study the issue of places and non-places in Nineteen Eighty-Four. Evidently, it is not my intention to analyse all places and non-places present in this novel but mainly one, which is, from my perspective, the room Winston rents to the fake antique dealer. For this purpose, I will analyse selected passages and episodes from the object novel of this thesis, Orwell‟s Nineteen Eighty-Four, especially those that relate with Winston‟s experiences in the city and the room.
dc.languageen_US
dc.publisherUniversidad de Chile
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
dc.subjectOrwell, George, 1903-1950
dc.subjectNovela inglesa--Siglo 20--Historia y crítica
dc.titleThe room above the junkshop in nineteen eighty-four : an approach from non-places theory and a deconstructive analysis
dc.typeTesis


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