The absurd in "The country of last things"

dc.contributorSandoval G., Enrique
dc.contributorFacultad de Filosofía y Humanidades
dc.contributorDepartamento de Lingüística
dc.creatorGómez Del Fierro, Margarita María
dc.date.accessioned2012-09-12T19:16:18Z
dc.date.available2012-09-12T19:16:18Z
dc.date.created2012-09-12T19:16:18Z
dc.date.issued2005
dc.identifierhttps://repositorio.uchile.cl/handle/2250/110227
dc.description.abstract
dc.description.abstractPaul Auster is considered a postmodernist writer. His novels can be categorized under different genres, as, for example, science fiction, picaresque or detective novels. His influences are very wide and come from different sources such as fairy tales, his own unconscious and from a variety of writers, i.e. Nathaniel Hawthorne, Charles Dickens, Franz Kafka or Samuel Becket.
dc.languagees
dc.publisherUniversidad de Chile
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/cl/
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Chile
dc.subjectLiteratura estadounidense
dc.subjectAuster, Paul, 1947--Crítica e interpretación
dc.subjectLiteratura estadounidense--Siglo 20--Historia y crítica
dc.titleThe absurd in "The country of last things"
dc.typeTesis


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