Mediated Performance: points of reference, computer models and creative processes

dc.creatorManzolli, J
dc.date2013
dc.date2014-07-30T13:40:56Z
dc.date2015-11-26T16:41:35Z
dc.date2014-07-30T13:40:56Z
dc.date2015-11-26T16:41:35Z
dc.date.accessioned2018-03-28T23:25:51Z
dc.date.available2018-03-28T23:25:51Z
dc.identifierMusica Hodie. Univ Federal Goias, v. 13, n. 1, n. 48, n. 63, 2013.
dc.identifier1676-3939
dc.identifierWOS:000323546700005
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/53543
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/53543
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1272977
dc.descriptionWe present a new framework to study the interaction between musicians, technology and various capabilities that extend the expressive possibilities of live performance with electronics. We emphasize that extended techniques, the development of new interfaces and performance related to multimodal processes lead to the expansion of the musical universe, revitalize the viewer primary condition of the listeners enabling their interaction with other senses. Understanding musical performance under this new perspective extends the expressive resources for new music, especially when we join composition with the multiple facets of mediated performance.
dc.description13
dc.description1
dc.description48
dc.description63
dc.languagept
dc.publisherUniv Federal Goias
dc.publisherGoiania Go
dc.publisherBrasil
dc.relationMusica Hodie
dc.relationMusica Hodie
dc.rightsaberto
dc.sourceWeb of Science
dc.subjectComputer models in music
dc.subjectMusical gesture
dc.subjectComputer music
dc.subjectMediated musical performance
dc.subjectSonology
dc.subjectMusic
dc.titleMediated Performance: points of reference, computer models and creative processes
dc.typeArtículos de revistas


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