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The integration between singing and acting skills and creative autonomy as the basic requirements for a scenic credibility in the classical singer's performance

Universidade Estadual Paulista (Unesp) (Univ Federal Goias, 2018-01-01)

The article aims to point out that the singer's capability to integrate his/her singing and acting abilities and that the ability to perform his/her creative tasks in an autonomous manner are basic requirements for his/her ...

The singer-actor's projective modes: an important principle for the scenic development of classical singers

Universidade Estadual Paulista (UNESP) (Programa Pos-graduacao Musica-ppgm, 2021-12-01)

The present article is an excerpt from the doctoral thesis defended by the author (GUSE, 2018), in which a compendium of exercises is proposed aimed at the scenic development of the classical Singer, based on the principles ...

Mind and body, symbiosis of singing; introspection ratio. The act of singingMente y cuerpo, simbiosis del canto; relación de introspección. el acto de cantar

Zapata M, Joaquín Emilio (Universidad EAFIT, 2015-08-14)

The Man for Whom Steel Sings

Johnson, Kim (Express, 5-Aug-96)

Ellie Mannette describes his experience as a tuner in the United States. Mannette take the art of pan construction and tuning seriously by performing scientific experiments to discover the best steel for different pans, ...

O canto a partir da atu(ação) : um caminho possível de trabalho do canto para o ator em formação por meio dos princípios das ações físicasThe singing based on the performance : a possible path of the singing work for the training actor through the principles of the physical actions

Galasso, Maria Cordélia de Souza Lima, 1978- ([s.n.], 2016)

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The integration between singing and acting skills and creative autonomy as the basic requirements for a scenic credibility in the classical singer's performance

The singer-actor's projective modes: an important principle for the scenic development of classical singers

Mind and body, symbiosis of singing; introspection ratio. The act of singingMente y cuerpo, simbiosis del canto; relación de introspección. el acto de cantar

The Man for Whom Steel Sings

O canto a partir da atu(ação) : um caminho possível de trabalho do canto para o ator em formação por meio dos princípios das ações físicasThe singing based on the performance : a possible path of the singing work for the training actor through the principles of the physical actions

III Encuentro Nacional Cultural del SENA

O cantor crossover: um estudo sobre a versatilidade vocal e algumas diferenças básicas entre o canto erudito e popular

Teatro Musical

O ensino do canto segundo uma abordagem construtivista : investigação com professoras de educação infantil

Canto como expressão de uma individualidadeSinging as th expression of anindividuality

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The integration between singing and acting skills and creative autonomy as the basic requirements for a scenic credibility in the classical singer's performance

The singer-actor's projective modes: an important principle for the scenic development of classical singers

Mind and body, symbiosis of singing; introspection ratio. The act of singingMente y cuerpo, simbiosis del canto; relación de introspección. el acto de cantar

The Man for Whom Steel Sings

O canto a partir da atu(ação) : um caminho possível de trabalho do canto para o ator em formação por meio dos princípios das ações físicasThe singing based on the performance : a possible path of the singing work for the training actor through the principles of the physical actions

III Encuentro Nacional Cultural del SENA

O cantor crossover: um estudo sobre a versatilidade vocal e algumas diferenças básicas entre o canto erudito e popular

Teatro Musical

O ensino do canto segundo uma abordagem construtivista : investigação com professoras de educação infantil

Canto como expressão de uma individualidadeSinging as th expression of anindividuality