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Crossroads Of A Postcolonial Body: F(r)iction Art/life In The Contemporary SceneEncruzilhadas De Um Corpo Pós-colonial: F(r)icção Arte/vida Na Cena Contemporânea
(Univ Estado Santa Catarina -UDESCFlorianopolis, 2016)
ZUM Magazine: excitement in Brazil’s cultural scene
(PPGAV-UFRGS, 2018)
From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
(Universidade Federal do Rio Grande do Sul, 2021)
The astonishment of the actress: ethical and aesthetic effects in the encounter with indigenous Guarani Mbya women, in the Cia Livre scene
(Univ Estado Santa Catarina-udesc, 2022-04-01)
This article analyzes two productions by Cia Livre, presented in 2019, based on the learning play The Horatian and the Curiatians (1933), by Brecht, and which thematize the struggle for land in Brazil today. This confrontation ...
It is useless to refrain the wave: the need for Brecht and Stanislavski in the hybridity of the epic theatrical forms of the Brazilian scene
(2020-01-01)
This article proposes to observe the relationship between the legacy of Constantin Stanislavski and Bertolt Brecht in Brazil, from the 1950s to the present, demarking the influences of both in the transformation of acting ...
We, the public: the exercise of representative mediation, in defense of the collective emancipation at MIT 2019
(Univ Sao Paulo, Escola Comunicacoes & Artes, 2019-01-01)
This text analyzes presentations exhibited at the International Theater Festival of Sao Paulo (MIT) 2019, highlighting the different ways in which these works reinvent the public's role and establish new relations between ...
From the Asphalt to the Forest: Cia. Livre’s research on the creation of an epic and perspectivist scenic language
(Universidade Federal do Rio Grande do Sul, 2021-03-26)
This article examines Cia. Livre’s scene, which questions the constitution of Brazilian identity, relating the individual in the urban context and Amerindian thought. Since the performance Vem Vai, o caminho dos mortos ...
Em-cena-ação – mise-en-scène documental contemporânea : notas sobre a elaboração da cena a partir dos processos fílmicos Para que o mundo não esqueça (2019/20) de Pedro Bomba e 144 horas e alguns minutos roubados (2019/20) de Gladson Galego
(Pós-Graduação Interdisciplinar em CinemaUniversidade Federal de Sergipe, 2022)