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Voice and poetry as inspiration and material in acousmatic compositionVoz y poesía como inspiración y material en composición acusmática
(2020)
This thesis combines both practice-based research, in the form of acousmatic composition, and theoretical research, addressing voice and poetry both as inspiration and material. It includes a portfolio of original compositions ...
Discurso y sentido en música electroacústica
(Universidade Federal de Uberlandia, 2016)
On Trevor Wishart's musical trade-offs: compositional goals, material's selection and suitable sound processes supporting the listener perception
(Universidade Federal de Minas GeraisBrasilMUSICA - ESCOLA DE MUSICAUFMG, 2018)
Com base na literatura de Wishart, este artigo investiga a
processos de transformação da voz gravada mais freqüentes e significativos, e sua correlação com os objetivos composicionais do compositor, apresentados em quatro ...
SONIDO II
(Universidad de Belgrano. Programas de las Materias - Facultad de Humanidades - Carrera de Producción y dirección de TV, cine y radio, Plan 2012.)
I-OBJETIVOS:
Orientar a los alumnos en el estudio de todas las técnicas de musicalización y sonomontaje que son utilizadas en el diseño integral de la banda sonora de un audiovisual.
Capacitar a los alumnos en la ...
La Espacialidad en la Experiencia Musical Acusmática: un Enfoque Cognitivo
(Universidade Federal de Minas GeraisBrasilMUSICA - ESCOLA DE MUSICAPrograma de Pós-Graduação em MúsicaUFMG, 2019-11-25)
Acousmatic music as a production mode -the Concrete-Acousmatic production mode-, has certain peculiarities that are verified both in its production and in its consumption. Although some of these particular aspects are ...
Round the World in Sixty Minutes: approaches to the evocation of space, place and location in recent multichannel works
(Universidade Federal de Uberlandia, 2016)