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La invisibilidad de la traducción en la escena chilena: las relaciones entre el texto teatral traducido y las prácticas escénicas de directores y actores santiaguinos (2014-2016)The invisibility of translation in the Chilean stage: the relations between translated theatrical texts and the staging and performing practices from directors and actors in Santiago de Chile (2014-2016)
(2018)
La presente investigación busca analizar y describir las problemáticas en torno a las relaciones esta-blecidas entre texto teatral traducido (de un idioma extranjero al español de Chile) y directores y acto-res, en prácticas ...
Proposal for reading and chromatic visualization: analysis of the structures of theatrical game in galdos' electra
The Humanities and Digital Edition Group (GHEDI, for its acronym in Spanish) from the International University of La Rioja is currently working on the BETTE project, which aims at the creation of an Electronic Textual ...
Between Empathy and Dissection: the live cinema by Katie MitchellEntre dissection et empathie : le cinéma en direct de Katie MitchellEntre Dissection et Empathie: le cinéma en direct de Katie MitchellEntre Dissection et Empathie: le cinéma en direct de Katie Mitchell
(Universidade Federal do Rio Grande do Sul, 2016)
A MÚSICA NA CENA: UMA EXPERIÊNCIA NA SONOPLASTIAMUSIC IN THE SCENE: AN EXPERIENCE IN SOUND DESIGN
(Universidade Federal do Rio Grande do NorteBrasilUFRNLICENCIATURA EM TEATRODEPARTAMENTO DE ARTES, 2023)
Between Empathy and Dissection: the live cinema by Katie MitchellEntre Dissection et Empathie: le cinéma en direct de Katie MitchellEntre Dissection et Empathie: le cinéma en direct de Katie MitchellEntre Empatia e Dissecação: o cinema ao vivo de Katie Mitchell
(Universidade Federal do Rio Grande do Sul, 2016)
O artificialismo tardio de Jean Renoir: teatralidade e crítica
(Universidade Federal de Minas GeraisBrasilFAF - DEPARTAMENTO DE COMUNICAÇÃO SOCIALPrograma de Pós-Graduação em Comunicação SocialUFMG, 2019-03-28)
The research investigates the films The golden coach (1952) and Luncheon on the grass
(1959), directed by Jean Renoir. We seek to identify how the stylistic and dramaturgical
choices of the director configure in these ...