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Generation of Two-Voice Imitative Counterpoint from Statistical Models
Generating new music based on rules of counterpoint has been deeply studied in music informatics. In this article, we try to go further, exploring a method for generating new music based on the style of Palestrina, based ...
Auditory stimulation with music influences the geometric indices of heart rate variability in men
(2014-05-22)
Background: Chronic classical music was reported to increase parasympathetic activitywhen evaluating heart rate variability (HRV). It is poor in the literature investigation of the acute effects of baroque and heavy metal ...
The colossal symphony: Beethoven, Berlioz, Mahler and Shostakovich [Listening to music ]
(Yale University, Open Yale Courses, 2016)
The colossal symphony: Beethoven, Berlioz, Mahler and Shostakovich [Listening to music ]
(Yale University, Open Yale Courses, 2011)
REPRESENTAÇÕES SOCIAIS SOBRE MÚSICA, ESTILOS MUSICAIS E AULA DE MÚSICA: UMA PROBLEMATIZAÇÃO NECESSÁRIASocial Representations of music, music styles and music lessons: an approach required
(UNIVERSIDADE ESTADUAL DE PONTA GROSSABREducaçãoPrograma de Pós-Graduação em EducaçãoUEPG, 2017)
Propuesta de realización de un programa musical ‘Artistas urbanos’ para el canal Telecafé
(Universidad Católica de Pereira, 2016-05-13)
This audiovisual product, long term , is intended to provide evaluators of this project the fundamentals to justify the thinking and the current situation of young people in the coffee.
All content developed in research ...
Pop-fusión: seis composiciones y cuatro arreglos de temas populares e interpretación en concierto
(2017)
Within the music industry, one can find innumerable ramifications of genres and musical styles, each with it's vernacular roots of the region to which they belong; However, the present work refers about the study of a very ...
CHORAL MUSIC FROM THE BEGINNING OF THE 20TH CENTURY TO THE BEGINNING OF THE 21TH: THE COMPOSITION FOR CHOIRS AND MODERN REPERTOIRE'S PERFORMANCE
(Univ Federal GoiasGoiania GoBrasil, 2011)