| dc.contributor | Universidade Estadual Paulista (UNESP) | |
| dc.creator | Hammer, Langdon | |
| dc.date | 2016-10-26T18:06:11Z | |
| dc.date | 2016-10-26T18:06:11Z | |
| dc.date.accessioned | 2017-04-06T12:55:16Z | |
| dc.date.available | 2017-04-06T12:55:16Z | |
| dc.identifier | http://acervodigital.unesp.br/handle/unesp/369713 | |
| dc.identifier | http://objetoseducacionais2.mec.gov.br/handle/mec/14188 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/965995 | |
| dc.description | Speaks about the poetry of Marianne Moore is considered alongside its preoccupations with gender, American culture, and nature. The poem "A Grave" is presented as characteristic of the prose rhythms and discursive manner of Moore's poems, including their use of expository language without meter or rhyme. The poem "England" is read as a defense of American culture, in opposition to the Eurocentricism of Eliot, Pound, and other modernists. In the poem "An Octopus," Moore makes use of excerpts from pamphlets and other unusual prose sources to suggest that inspiration is not limited to any one voice or to literary models | |
| dc.description | Educação Superior::Linguística, Letras e Artes::Letras | |
| dc.publisher | Yale University, Open Yale Courses | |
| dc.relation | Marianne Moore.mp3 | |
| dc.rights | Yale University 2009. Some rights reserved. Unless otherwise indicated in the applicable Credits section of certain lecture pages, all content on this web site is licensed under a Creative Commons License. Please refer to the Credits section to determine whether third-party restrictions on the use of content apply | |
| dc.subject | Culture | |
| dc.subject | Woman | |
| dc.subject | Modernism | |
| dc.subject | Poetry | |
| dc.subject | Educação Superior::Linguística, Letras e Artes::Letras::Literaturas Estrangeiras Modernas | |
| dc.title | Marianne Moore: part 1 [Modern poetry] | |
| dc.type | Audios | |
