dc.contributorUniversidade Estadual Paulista (UNESP)
dc.creatorSilva, Natália Fernanda Freitas da
dc.creatorSimões, Rosa Maria Araújo
dc.date2016-03-02T13:00:02Z
dc.date2016-10-25T21:32:02Z
dc.date2016-03-02T13:00:02Z
dc.date2016-10-25T21:32:02Z
dc.date2013
dc.date.accessioned2017-04-06T10:01:57Z
dc.date.available2017-04-06T10:01:57Z
dc.identifierProceedings of World Congress on Communication and Arts, v. 6, p. 174-178, 2013.
dc.identifier2317-1707
dc.identifierhttp://hdl.handle.net/11449/135167
dc.identifierhttp://acervodigital.unesp.br/handle/11449/135167
dc.identifierISSN2317-1707-2013-06-174-178.pdf
dc.identifier2498087862832692
dc.identifierhttp://proceedings.copec.org.br/index.php/wcca/article/view/136
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/945678
dc.descriptionThe following study aimed understanding the self-esthetic of the artist-priest Master Didi, doing so a symbolic interpretation of his sculptures, considering his relations with the ritual performance of candomblé, his creative process and his artistic, sociocultural and religious influences. The interpretation of sculptures and comprehension of the process of creation from the artist with focus on the representation of orixás allowed us to evidence the relationship established between the procedures used by the artist to produce his sculptures, the materials used in his work, the relationship of works and religion, with culture and afro-Brazilian art.
dc.languagepor
dc.relationProceedings of World Congress on Communication and Arts
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectArt and afro-brazilian culture
dc.subjectMaster Didi
dc.subjectOrixás
dc.titleMestre Didi: um estudo sobre arte e cultura afro-brasileira
dc.typeOtro


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