| dc.contributor | Monsalve Álvarez, Edwin | |
| dc.creator | Salazar Cano, Johan | |
| dc.date | 2023-10-03T16:43:05Z | |
| dc.date | 2023-10-03T16:43:05Z | |
| dc.date | 2023 | |
| dc.date.accessioned | 2024-04-23T14:17:26Z | |
| dc.date.available | 2024-04-23T14:17:26Z | |
| dc.identifier | https://hdl.handle.net/10495/36779 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/9229433 | |
| dc.description | RESUMEN: Un compendio no es siempre la recopilación de una serie de documentos con una o varias similitudes que los reúne y los organiza, un compendio es la formulación de un orden, que el lector y quien lo ejecuta pactan una vez se establece y este es llevado a cabo, de esta manera, las siguiente información acá contenida es si acaso la base de algo mayor no dicho todavía, es apenas la reunión de aproximaciones que tratan de bordear la palabra imagen desde sus múltiples y si acaso indeterminables aristas. Es por ello que los ensayos: La imagen circular, Sobre el archivo y La imagen y su condición universal, sitúan el complemento de los proyectos académicos y artísticos que le siguen posteriormente a modo de ensayo visual. | |
| dc.description | ABASTRACT: A compendium is not always the compilation of a series of documents with one or several similarities that brings them together and organizes them, a compendium is the formulation of an order, which the reader and the one who executes it agree once it is established and this is carried out, in this way, the following information contained here is if anything the basis of something greater not said yet, it is just the meeting of approaches that try to border the word image from its multiple and if anything indeterminable edges. That is why the essays: The circular image, About the archive and The image and its universal condition, place the complement of the academic and artistic projects that follow it later as a visual essay. | |
| dc.format | 84 | |
| dc.format | application/pdf | |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Medellín, Colombia | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/2.5/co/ | |
| dc.rights | http://purl.org/coar/access_right/c_abf2 | |
| dc.rights | https://creativecommons.org/licenses/by-nd/4.0/ | |
| dc.subject | Art, Modern--20th century | |
| dc.subject | Memory in art | |
| dc.subject | Artes visuales | |
| dc.subject | Visual arts | |
| dc.subject | Fotografía | |
| dc.subject | Photography | |
| dc.subject | Dibujo | |
| dc.subject | Drawing | |
| dc.subject | Imagen | |
| dc.subject | Image | |
| dc.subject | Performance | |
| dc.subject | Instalación (Arte) | |
| dc.subject | http://id.loc.gov/authorities/subjects/sh85007805 | |
| dc.subject | http://id.loc.gov/authorities/subjects/sh97002102 | |
| dc.subject | http://vocabularies.unesco.org/thesaurus/mt3.50 | |
| dc.subject | http://vocabularies.unesco.org/thesaurus/concept345 | |
| dc.subject | http://vocabularies.unesco.org/thesaurus/concept5670 | |
| dc.title | Biología de las imágenes | |
| dc.type | info:eu-repo/semantics/bachelorThesis | |
| dc.type | info:eu-repo/semantics/draft | |
| dc.type | http://purl.org/coar/resource_type/c_7a1f | |
| dc.type | https://purl.org/redcol/resource_type/TP | |
| dc.type | Tesis/Trabajo de grado - Monografía - Pregrado | |
