An ontological model for the representation of vallenato as cultural heritage in a context-aware system

dc.creatorDiaz Mendoza, Maria Antonia
dc.creatorDe-La-Hoz-Franco, Emiro
dc.creatorGomez, Jorge
dc.date2023-09-08T16:17:24Z
dc.date2023-09-08T16:17:24Z
dc.date2023-07-31
dc.date.accessioned2023-10-03T19:05:14Z
dc.date.available2023-10-03T19:05:14Z
dc.identifierDiaz-Mendoza, M.A.; De-La-Hoz-Franco, E.; Gómez Gómez, J.E.; Ramírez-Velarde, R. An Ontological Model for the Representation of Vallenato as Cultural Heritage in a Context-Aware System. Heritage 2023, 6, 5648–5671. https://doi.org/10.3390/ heritage6080297
dc.identifierhttps://hdl.handle.net/11323/10462
dc.identifier10.3390/ heritage608029
dc.identifier2571-9408
dc.identifierCorporación Universidad de la Costa
dc.identifierREDICUC - Repositorio CUC
dc.identifierhttps://repositorio.cuc.edu.co/
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9167529
dc.descriptionThe traditional Colombian vallenato was declared Intangible Cultural Heritage of Humanity by UNESCO on 1 December 2015 with urgency for it to be safeguarded, which led the government of Colombia in the head of the Ministry of Culture and the vallenato music cluster to develop a safeguarding plan that contains different activities, among which stands out a platform for the management of vallenato through educational processes. In this sense, this document proposes an ontological model for the representation of vallenato as cultural heritage in a context-aware system called Vallenatic. The ontology was developed using the NeOn methodology, designed in the Protégé software, and has 15 concepts (Vallenata Songs, Artist, Devices, Persons, Environment, Cultural Managers, Interface, Location, MOOC, Learning Object, Profile, Preference, Net, Time Cultural, Event, Cultural_Sites). The model was evaluated by means of nine (9) situations described in natural language and SWRL; this language was used since it allows expressing OWL concepts in combination with RuleML. The proposed model can be used for other musical genres that have the recognition of cultural and intangible heritage, such as the Spanish flamenco, Argentine Tango, Mexican Mariachi music, Peruvian scissors dance, Brazilian capoeira, Dominican bachata, Jamaican reggae, among others.
dc.format24 páginas
dc.formatapplication/pdf
dc.formatapplication/pdf
dc.languageeng
dc.publisherMDPI AG
dc.publisherSwitzerland
dc.relationHeritage
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dc.rights© 2023 by the authors. Licensee MDPI, Basel, Switzerland.
dc.rightsAtribución 4.0 Internacional (CC BY 4.0)
dc.rightshttps://creativecommons.org/licenses/by/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.sourcehttps://www.mdpi.com/2571-9408/6/8/297
dc.subjectOntological model
dc.subjectContext-aware
dc.subjectVallenato
dc.subjectCultural heritage
dc.subjectSemantic web
dc.titleAn ontological model for the representation of vallenato as cultural heritage in a context-aware system
dc.typeArtículo de revista
dc.typehttp://purl.org/coar/resource_type/c_2df8fbb1
dc.typeText
dc.typeinfo:eu-repo/semantics/article
dc.typehttp://purl.org/redcol/resource_type/ART
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typehttp://purl.org/coar/version/c_970fb48d4fbd8a85


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