The University and its libraries: Reactions and resistance to scientific publishers

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.creatorBastos, Flávia Maria
dc.creatorVidotti, Silvana Aparecida Borsetti Gregorio
dc.creatorOddone, Nanci
dc.date2014-05-27T11:27:09Z
dc.date2016-10-25T18:39:35Z
dc.date2014-05-27T11:27:09Z
dc.date2016-10-25T18:39:35Z
dc.date2012-11-22
dc.date.accessioned2017-04-06T02:02:53Z
dc.date.available2017-04-06T02:02:53Z
dc.identifierELPUB 2012 - Social Shaping of Digital Publishing: Exploring the Interplay Between Culture and Technology, 16th International Conference on Electronic Publishing.
dc.identifierhttp://hdl.handle.net/11449/73748
dc.identifierhttp://acervodigital.unesp.br/handle/11449/73748
dc.identifier10.3233/ISU-2012-0641
dc.identifier2-s2.0-84870423158
dc.identifier0000-0002-4216-0374
dc.identifierhttp://dx.doi.org/10.3233/ISU-2012-0641
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/894533
dc.descriptionThis paper addresses the relationship of copyright and the right of universities on scientific production. Information and Communication Technologies (ICTs) are causing many changes in the system of scientific communication, such as the creation of Institutional Repositories that aim to gather scientific production in digital format. The University needs quicker ways of spreading academic production and many questions are emerging due to contexts such as the Open Access movement. Thus, this paper questions the positioning of Universities, especially Public Universities, which despite having policies related to intellectual property to protect the transferring forms of research results to society; many times do not have a positioning or a mechanism that regulates the self-deposit of scientific production in these Institutional Repositories. In order to develop this paper, the following issues are addressed: lack of interest of the University in storing scientific production; reports on the relationship of the library with scientific publishing houses; the participation of faculty members and students in supporting the Free Access movement; and initiatives aimed at greater flexibility of copyright to the context of scientific production. In order to follow the development of these issues at international level, it was opted for qualitative research with non-participating direct observation to carry out the identification and description of copyright policy of important publishers from the ROMEO SHERPA site; therefore, it can be observed that there are changes regarding the publishers' flexibility before self-archiving of authors in open access institutional repositories in their universities. Given this scenario, we presente reflections and considerations that involve the progress and mainly the integration of the University and its faculty members; the institution should recommend and guide its faculty members not to transfer their copyrights, but to defend their right of copy to Institutional Repositories along with Publishing Houses.
dc.languageeng
dc.relationELPUB 2012 - Social Shaping of Digital Publishing: Exploring the Interplay Between Culture and Technology, 16th International Conference on Electronic Publishing
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectCopyright
dc.subjectElectronic scientific communication
dc.subjectInstitutional repositories
dc.subjectOpen Access Movement
dc.subjectPublic University
dc.subjectDigital format
dc.subjectFaculty members
dc.subjectFree access
dc.subjectInformation and Communication Technologies
dc.subjectOpen Access
dc.subjectPublic universities
dc.subjectPublishing house
dc.subjectQualitative research
dc.subjectResearch results
dc.subjectScientific communication
dc.subjectCommunication
dc.subjectCopyrights
dc.subjectEducation
dc.subjectElectronic publishing
dc.subjectInformation services
dc.subjectInformation technology
dc.subjectWorld Wide Web
dc.subjectSocieties and institutions
dc.titleThe University and its libraries: Reactions and resistance to scientific publishers
dc.typeOtro


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