dc.creatorCôrte Real de Camargo,Felipe
dc.date2019-04-01
dc.date.accessioned2023-09-25T14:20:36Z
dc.date.available2023-09-25T14:20:36Z
dc.identifierhttp://www.scielo.sa.cr/scielo.php?script=sci_arttext&pid=S1659-42232019000100006
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8817963
dc.descriptionAbstract This article addresses the relations between the language of cinema and some representations that this media may show on Freemasonry. The three chosen movies deserve attention for their representativeness. Freemasonry has become a recurrent theme in historical studies and combined with this phenomenon the Fraternity has been going through a greater public exposure. This public image is formed, mainly, by works of fiction, and through its leading vehicle, the cinema. On analysing in three movies a commonality in their approach is sought for, between images presented -about and by- Freemasonry in this social product of cinema.
dc.formattext/html
dc.languageen
dc.publisherUniversidad de Costa Rica
dc.relation10.15517/rehmlac.v10i2.34724
dc.rightsinfo:eu-repo/semantics/openAccess
dc.sourceRevista de Estudios Históricos de la Masonería Latinoamericana y Caribeña v.10 n.2 2019
dc.subjectcinema
dc.subjectfreemasonry
dc.subjecthistory
dc.subjectrepresentations
dc.subjectstate of exception
dc.title“The Freemasons are useful to the regime”:An analysis of the representations of Freemasonry in cinema and its utility on reinforcing or criticizing the establishment
dc.typeinfo:eu-repo/semantics/article


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