From princes and (ex)conjurators: rebellion, idealism and community in Baudelaire (at shadow of terror)
De príncipes e (ex)conjurados: rebeldia, idealismo e comunidade em Baudelaire (à sombra do terror)
| dc.creator | Paz, Ravel Giordano | |
| dc.date | 2012-05-31 | |
| dc.date | 2022-03-18T18:38:08Z | |
| dc.date | 2022-03-18T18:38:08Z | |
| dc.date.accessioned | 2023-08-23T16:12:15Z | |
| dc.date.available | 2023-08-23T16:12:15Z | |
| dc.identifier | https://periodicos.fclar.unesp.br/lettres/article/view/5020 | |
| dc.identifier | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63562 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/8368725 | |
| dc.description | The article discusses the meanings and scopes of the topoi-feelings of rebellion and Satanism - and others inseparable from them - in the work of Charles Baudelaire, arguing that they are articulated, sometimes in an unsuspecting way, to a revolutionary ethics and a fraternal/communal sense. By trying to catalyze the paradoxical potency of these motifs without subsuming in it the ethical and symbolic fields in dispute, we propose a critical trigger compatible with the “aesthetic of shock” of the French poet: the reading of his texts, especially from the volume The spleen of Paris, in the light (or at shadow), brief but intense, of his ambiguous positions regarding the Jacobin leader Maximilien de Robespierre. | |
| dc.description | O artigo discute os sentidos e alcances dos topoi-sentimentos da rebeldia e do satanismo – e outros indissociáveis deles – na obra de Charles Baudelaire, sustentando que os mesmos se articulam, por vezes insuspeitamente, a uma ética revolucionária e um senso fraterno-comunal. Visando catalizar a potência paradoxal desses topoi sem subsumir nela os campos ético-simbólicos em disputa, propomos um estopim crítico afeito à “estética do choque” do poeta francês: a leitura de textos seus, sobretudo do volume O spleen de Paris, à luz (ou à sombra), breve mas intensa, de suas posições ambíguas a respeito do líder jacobino Maximilien de Robespierre. | |
| dc.format | application/pdf | |
| dc.language | por | |
| dc.publisher | Lettres Françaises | |
| dc.relation | https://periodicos.fclar.unesp.br/lettres/article/view/5020/4162 | |
| dc.rights | Copyright (c) 2012 Lettres Françaises | |
| dc.source | Lettres Françaises; n.12 (1), 2011 | |
| dc.source | 2526-2955 | |
| dc.source | 1414-025X | |
| dc.subject | Charles Baudelaire | |
| dc.subject | Modern poetry | |
| dc.subject | Aesthetics of shock | |
| dc.subject | Art and politics | |
| dc.subject | Charles Baudelaire | |
| dc.subject | Poesia moderna | |
| dc.subject | Estética do choque | |
| dc.subject | Arte e política | |
| dc.title | From princes and (ex)conjurators: rebellion, idealism and community in Baudelaire (at shadow of terror) | |
| dc.title | De príncipes e (ex)conjurados: rebeldia, idealismo e comunidade em Baudelaire (à sombra do terror) | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |