Epistemologías de la composición musical ecuatoriana

dc.creatorAlvarado Delgado, Jannet Emperatriz
dc.date.accessioned2023-06-23T19:25:33Z
dc.date.accessioned2023-08-10T15:14:50Z
dc.date.available2023-06-23T19:25:33Z
dc.date.available2023-08-10T15:14:50Z
dc.date.created2023-06-23T19:25:33Z
dc.date.issued2019
dc.identifier1390-8448
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/42278
dc.identifierhttps://publicaciones.ucuenca.edu.ec/ojs/index.php/tsantsa/article/view/2919/2002
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8152204
dc.description.abstractThis review proposes a brief reflection on the knowledge systems that have served as the basis for composing music in Ecuador since colonial times, starting with the imposition of powers of Western cultural domination, up to the insubordination of institutionalized experiences, by authors who have questioned the practices of the colonial power matrix, as Quijano calls it (2000), with the purpose of exercising an epistemological repair in the musical art and achieving their own aesthetics
dc.languagees_ES
dc.sourceTsantsa: Revista de Investigaciones Artísticas
dc.subjectEpistemologías
dc.subjectHistoria
dc.subjectEcuador
dc.subjectComposición musical
dc.titleEpistemologías de la composición musical ecuatoriana
dc.typeARTÍCULO


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