Estructuras temporales y espaciales en la música contemporánea

dc.creatorAlvarado Delgado, Jannet Emperatriz
dc.date.accessioned2023-06-23T19:35:06Z
dc.date.accessioned2023-08-10T14:42:20Z
dc.date.available2023-06-23T19:35:06Z
dc.date.available2023-08-10T14:42:20Z
dc.date.created2023-06-23T19:35:06Z
dc.date.issued2020
dc.identifier2340-6062
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/42279
dc.identifierhttp://estudiossobrearteactual.com/wp-content/uploads/2020/10/13.-Jannet-Alvarado.pdf
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8152071
dc.description.abstractThis article reviews some historical criteria on the mathematical, natural, temporal and spatial relationships of the sounds that make up music. These categories were reconsidered in contemporary music, resulting in the creation of works with unusual sounds, related to interdisciplinary art, generative art and with fractal models. Works from Latin America are also mentioned that eventually integrate the logics of ancestral cultural cosmovision with their own structures of time and space
dc.languagees_ES
dc.sourceEstudios sobre Arte Actual
dc.subjectEspacio
dc.subjectLatinoamérica
dc.subjectMúsica contemporánea
dc.subjectTiempo
dc.titleEstructuras temporales y espaciales en la música contemporánea
dc.typeARTÍCULO


Este ítem pertenece a la siguiente institución